Compressed Digital Photo File Formats – Storing Digital Photos
Digital Photography
12th Nov 2009
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Digital photos are stored as files on memory cards and computer hard disks. They can be stored in different file formats (each format has a unique file extension). Most of the formats are compressed to save space and each has its own pros and cons.
The need for standard file formats
Digital photos are saved as digital files on electronic media. These digital photo files are a collection of bytes. If each manufacturer and camera would have used a proprietary file format then you would have needed proprietary software that could read, print and display those formats. Using a standard format allows any camera to save photos while any other software can read, display and print them.
What is compression and why it is needed
A digital photo is a collection of pixels each pixel is stored as a value that represents its color and intensity. Usually each pixel is represented by an RGB value (three numbers one byte each with values 0 to 255 representing the intensity of Red, Green and Blue that combined together create the pixel’s color). An RGB value occupies 3 bytes. So how big is a digital photo file? It depends on the number of pixels in the photo. For example if you shoot a photo using an 8 mega pixels digital camera the photo will have 8000000 pixels each one occupying 3 bytes. The total file size would be 8000000*3=24000000 or 24Mbytes. This is a very big file. Big files are harder to manipulate they take a long time to send by email, they occupy large storage space and they take longer to load.
In any digital photo there is data that is either redundant or that if removed the viewer would not be able to notice the difference. In addition representing pixels as RGB values is not efficient in terms of storage space. The process of compression takes advantage of these facts. When you compress a digital photo the compression software represents pixels in a more efficient way, removes redundant data and removes data that is “not important”. The result is a significantly smaller file. For example the above 24Mbytes file could easily be compressed to about 3Mbytes with hardly any noticeable quality degradation.
Before compressed digital photo files can be viewed or printed they need to be decompressed. Decompression is the reverse process of compression – a compressed file is converted to its original format usually a simple RGB pixel file. Using standard compression file formats allows one software to compress a digital photo file and another software to decompress it and process it.
Lossy or Lossless compression?
There are two main types of compression software: lossy and lossless. Here are the differences:
Lossless compression: Lossless compression means that if you take a file compress it and then decompress it the decompressed file would be the exact copy of the original file. With lossless compression no data is lost in the compression process the compression software uses better representation of the data in the file but it does not remove any data from it.
Lossy compression: Lossy compression means that if you take a file, compress it and then decompress it the decompressed file would be slightly different than the original one. The compression software not only represents the file’s data more efficiently but it also removes data that it considers minor or not important. Such data can be removed without hardly any noticeable degradation in the file quality. The differences between the original file and the decompressed file are minor and should be negligible to the user.
Lossless compression is usually applied to text and other data where all data is equally important. For example when compressing the text in this article and later on decompressing it you would want to get the exact original article without any words or sentences dropped by the compression software that decided they were not important.
Lossy compression is usually applied to digital photos and graphic files. Such files include data that the viewer would not be able to notice if removed. For example small changes to color in a photo might not be noticeable. The decompressed file is not exactly the same as the original one but when viewing both the original and decompressed photos side by side the viewer can not tell the difference. Lossy compression software can be set to different compression levels based on how much data is allowed to be lost. At some point losing too much data is noticeable and degrades the digital photo quality. Many digital cameras allow you to set the level of compression from low to high where high compression means smaller files but less quality and low compression means bigger files but no noticeable quality degradation.
Common digital photo file formats
You can know what a digital photo file format is by checking its extension. Usually the extension is three letters representing a specific format. Here is a list of the common extensions and formats:
BMP Windows Bitmap: this is a basic raw format. The photo is stored as a pixel raster and is not compressed. While this format is very easy to use and is supported by practically all software it is not efficient as there is no compression applied.
GIF Graphics Interchange Format: An old file format initiated by CompuServe. It uses a lossless LZW compression and is thus more efficient than BMP files. GIF files are very efficient for storing basic graphics (that include lines, circles and other graphical shapes) and also efficient for storing small digital photos but are rarely used to store large digital photos as there are more efficient formats for that purpose. GIF files can also include multiple “frames” and support basic animation.
PNG Portable Network Graphics: This relatively new format was designed to be used in online applications such as web pages. It uses a lossless compression. The original goal of the PNG format was to replace GIF (due to some licensing complications associated with the GIF format). PNG is commonly used now by online web sites to represent small digital photos or graphics replacing the GIF format.
JPEG Joint Photographic Experts Group: Also known as JPG this file format was designed by a special industry group and became an ISO standard. The design goal of the format was the efficient storage of digital photographic files. Although JPG files can support lossless compression they are almost always used in lossy compression mode. JPG files are very efficient in compressing digital photos. The JPG compression software can be set to different compression levels with higher compression levels the photo files can get very small but they can also get distorted. JPG files are the most common ones used by digital cameras to store compressed digital photos on memory cards and computer hard disks as they result in small file sizes and hardly any noticeable photo quality degradation.

Avoiding Pitfalls When Taking High Quality Digital Photos
Digital Photography
10th Nov 2009
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With today’s sophisticated digital cameras it is relatively easy to take good digital photos. This is especially true if you are using s point and shoot digital pocket camera. However even with such a camera you can follow some tips that will result in better higher quality digital photos. These tips become much more important when using high end SLR cameras in manual mode.
There are many things that can go wrong when taking digital photos. Many of those things could be easily avoided if only the photographer was aware of them. Here is a list of things that can go wrong and some simple ways to avoid them.
Blurry digital photos: Also known as out of focus digital photos the objects in such digital photos look blurry or smudged. Many people think that by using the automatic focus feature of the camera all digital photos will come out sharp and clear. This is not true. There are some scenes that are harder to focus on. Such scenarios can fail even the most advanced digital camera. Moreover with most digital cameras (excluding SLR) you do not really see how focused the camera is when taking the photo. Looking at the LCD shows you how the photo would be composed but not how focused and sharp it will come out. Even by reviewing the photos on the small LCD it is hard to see on those small screens if the digital photo is focused correctly or not. With digital SLR cameras this becomes easier as looking through the viewfinder provides an accurate focus feedback through the digital camera’s lenses. Digital cameras provide some sort of feedback either audible or visual when they are focused. They also display a green rectangle (or another shape or color) around the area of the photo that they focused on. It is important to make sure that this area is where the objects you want to focus on are especially when there are multiple objects in different distances from the camera.
Blurry photos can also result from shakings of the camera. Such shakings are mostly a problem in conditions where a long shutter time is used. When the shutter opens for a very short period small shakings would not be noticeable. If the shutter is opened for longer period usually longer than 1/250 of a second shakings become an issue. To avoid such shakings learn how to hold the camera steady using two hands and leaning on your face. If the shutter speed is very slow try to stabilize the camera preferably using a tripod but if you do not have one you can improvise using any stable surface such as a table or a wall.
Dark digital photos: Digital photos that look dark are usually a result of underexposure. They are dull and lack details. In most cases the camera can automatically set the exposure to produce good quality digital photos. In some scenarios however the camera sets the wrong exposure. Learning to identify these scenarios can help you compensate for such camera errors. If there is a very bright light source in the photo it can confuse the camera to believe that there is enough light in the scene for a low exposure setting. It is a good assumption that scenes that have extreme lighting differences between different areas will confuse the digital camera. In such cases you can manually correct the exposure. If your camera supports bracketing a good option would be to take a few photos of the same scene in different exposure settings and later on to choose the best one.
Very bright photos: Digital photos that look very bright are a result of overexposure. They usually have areas that are blown out or even completely saturated. The scenarios that cause overexposed digital photos are similar to the one mentioned above that cause underexposed photos. You can identify them in the same way and compensate the exposure setting or better use exposure bracketing if your camera supports it.
Unwanted shadows: Sometimes unwanted shadows will appear in a digital photo. For example when taking a portrait digital photo there are unwanted shadings on the object’s face. The reason for such shadings is that the camera measures the ambient light and sets the exposure accordingly. However even with the right exposure setting shades can appear on the object depending on the angle of the light source relative to the object. In the mentioned portrait photo if the light source is from the side of the object’s face the object’s nose can create shades. In another scenario the object is wearing a hat and it is lit from above. The hat creates shades on the object’s face. The camera can not automatically correct such shades as it simply measures ambient light and can not figure out the light source position relative to the object. It is easy to fix this problem when you identify a scenario that can be problematic set the flash to a “fill in” mode (make sure that the object is within flash range) the flash will fire regardless of the exposure and compensate for the shades.
The object in the digital photo is completely dark: This is also known as a silhouette effect. It happens when taking a digital photo of a scene that has a very bright light source right behind the object. One good example of that is taking a photo of a person during sunset or sunrise. The result is a dark silhouette of the person with a good photo of the sunset or sunrise background. Similar to the shading problem this problem can be solved by setting the flash to “fill in” mode. The fill-in flash lights up the object (you need to make sure that the object is within effective flash range) and results in a quality digital photo.

A Few Cool Photoshop Tips And Tricks, Part 2
Graphic Design
7th Nov 2009
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Photoshop is a powerful piece of software with plenty of cool tricks you can apply.
What Can You Do With Advanced Photoshop Tips and Tricks?
Advanced Photoshop users are often familiar with all tools and have mastered most of the fundamental tutorials, tips, and tricks, such as creating a cloudy background. Some people are unaware of all of the cool tricks that Photoshop has to offer, especially when you’ve upgraded your version to CS. The power to create some of the most impressive works of digital art are only a few clicks away once you get a hang of advanced Photoshop shortcuts and tricks.
Some Photoshop tricks on the advanced level can help a more tedious project seem easier. The more you learn the tips and tricks of the trade, the better your overall creations will turn out. To get an idea of some of the advanced tricks associated with Photoshop, a few examples are mentioned below:
Photoshop allows advanced users to create digital comic coloring that looks just like the human hand penned it. The tricks and tips associated with this sort of higher-level design deals with the manipulation of various brush sets to achieve the look you desire. Photoshop also lets users create photomontages that can transform an original photograph into something much different.
There are also tips and tricks that can take your most unfavorite picture and alter it in any way you wish. Let’s say you want to change a regular photograph into something dazzling. Advanced Photoshop tricks can beautify a face that displays a natural appearance. In regards to a photo, skin can be fixed, blemishes and wrinkles erased, teeth fixed and whitened, as well as changes made to the eyebrows, hair, and eyes.
When one is able to master advanced Photoshop techniques, the creative possibilities seem never-ending, including 3D glass balls, planet and star-studded skies, matte paintings, and airbrushed illustrations.

Fashion Illustration
Graphic Design
7th Nov 2009
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The art of fashion illustration is to provide a viewer with an insight to make them immensely aware of what is in the trend. A fashion illustration is an excellent platform to flaunt your effervescent collection of witty ideas regarding the design. They are usually more stylized than a traditional portrait.
For example, a facial feature does not render the realistic touch and the bodies are too often slightly stretched out, giving the big and slim appearance with the squared off shoulders. This sort of appearance gives the chic and sophisticated look.
To be precise, it communicates the fashion design by means of drawing. Additional length is supplemented to the legs for the purpose of providing the stylized effect and to furnish the illustrator design with the more dynamic appeal.
Fashion Illustration yields the artist with the freedom to depict the fashion as they yearn for, while in the field of a fashion design, there are hardly any areas to put down your artistic opinion.
There are three categories for the artists of fashion illustration, they are –The Sensualists, Gamines & Sophisticates and Technocrats.
Sensualists are classified to be strong and silent. They work in the fine arts tradition with paint, textures, ink, colors, woodblocks and stencils. They brood over the development of the illustration as the subject matter and they explore the potentials of the Medias (Borrelli, 11).
Gamines and Sophisticates generate an imaginary worlds inhibited by the flamboyant personalities. Their work is figurative and utilizes the elements of caricature and cartooning to formulate the characters and to lay down criticism on their actions.
Technocrats draw but do not finish off with the hand illustration. They digitally transform the illustrations and work towards the end computer generated product (Borrelli, 125).
Source:
http://www.itmatchonline.com/article/Fashion_Illustration.php



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